Sunburned, oil on linen on panel, 2012


“…to substitute optical mixture for the mixture of pigments, which means to decompose tones into their constituent elements, because optical mixture stirs up luminosities more intense than those created by mixed pigments.”

— from John Rewald’s The History of Impressionism

Greg Lindquist, The Shape of Remote Futures, 2011, 32.5 by 48 inches, oil on linen

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